In childhood, I got some colored pencils drawing sheets to avoid loneliness. I painted what made my childish mind curious. That game is now a significant factor in my artist life. At a later time, I always motivated by the work of great master painters who were the ancestor of Indian painting.
Having a long journey in the world of painting, my style has been running with several changes to reach out to the destination that can speak about my inner-vision profoundly. Based on the structural perspective, my painting followed synthetic cubism. Later it becomes standard in the Indian approach. Rather than passing in the Indian two-dimensional trend, the tenderness of light and shadow brings my thoughts back to life. The use of the lines shows the eternal idea of the Indian drawing that I own, as required. From the grammatical perspective, my painting followed the Indian custom and in the framework of the ritualized Indian grammar, I configured the western ideas. The flows of two different Ideas came into the key-point that helps me plan my composition. Such significance makes my painting stand out. The masterpieces of the ancestor Indian artists inspire me to move forward.
The impact of the world around me repeatedly gets back to my painting, which reforms within artistic intuition in a non-lingual form I press out in the form of abstraction. The affection in the human being that came from the experience of my past spiritual life reflects on canvas in several ways.
Global Ambassador of the Art-world appointed by Artdex (New York).
Special Recognition Award. (LST Gallery)
Honorable Mention Award. (IVAC)
Award of Excellence. (WCA)
Honorary member of World Citizen Artists.
Best Contemporary Artist (2014) by ICA.
Awarded Blogger & Author.
Body of work
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