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he Premise series, deals with the emotional context relationship a viewer has to both cinematic and actual physical reality in art objects and works. The "emotional relational space" to narrative constructs used in all narrative story telling are superimposed in non linear visual elements, both in videos and short films employing actors, in potential cinema story telling situations. The physical works on the hand, deal with the superimposed (cinematic concept) used to superimpose the emotional narrative relationship a viewer has with a object or objects within a gallery setting. At core, is the ability of all viewers, when presented with a narrative story premise to super impose that premise upon, rational, physical, imagery, both in objects and in video, film informed settings and works.