Description

The subject of her creation is unseen changes of her feelings. Heart seems to be chaotic, but she feels it is very rational and clever and that it has a simple and beautiful structure. She’s been trying to make it take shape.
By working on clay and ceramics, she tries to capture her floating feelings because she thinks it could be possible to clarify a principle or a rule of emotional chemistry, which is difficult to catch in words, by presenting her feelings intuitively with clay. So she always puts her emotions into shape according to the changes of her feelings – her actual feelings which arise in touching clay.
Coil-forming, which began in the prehistoric age and is still a main and common technique in ceramic, is to pile clay strips. The piled strips form a frame, which can be changed into any shape as long as the clay is soft enough, and she puts it into her seeking shape. Then, as a result of those processes and fire in a hearth, she gets a shape representing her emotions, including unconsciousness as well as consciousness.
Eventually, she sees in her work what she felt at that time.